Jorge Luis Borges, an Argentinian author, gave to the world one of the most original classics of all time, “The Garden of Forking Paths.” The combination of its engrossing style of magical realism, its complicated narrative structure, and its constantly relevant theme of time makes “The Garden of Forking Paths” one of the most significant pieces of literature.He exposes a new kind of reality through Stephen Albert’s revelation of the meaning of Ts’ui Pen’s labyrinth.Davis expresses that through the style of magical realism, Borges “tantalizes us with the possibility (…) that reality—for the artist at least—is an act of the imagination” (648).In his article, Weed suggests that part of what makes the story’s narrative structure labyrinthine is its inconsistent valuation of time:.In fact, Yu Tsun tells us, his train ride has only gained him forty minutes, but the change in the tone of the narration, or in the spy’s state of mind, makes those forty minutes extend, as if time itself had slowed down, until the abrupt reappearance of the spy-catcher, Richard Madden, breaks the spell.Although, he firmly believes that a man “ought to impose upon himself a future as irrevocable as the past,” through the decisions that one makes, he also knows that actions in the present, now, are what really matter and which ultimately determines the fate of a man—just as his previously made decision to shoot Stephen Albert mattered less than his actual act of shooting him.The distinct style of magical realism, the complex narrative structure, and the theme of time all contribute to making “The Garden of Forking Paths” into a significant piece of literature.It is the fact that Jorge Luis Borges’ “The Garden of Forking Paths” continues to hold a significant place in the constantly changing world of literature is what now makes it a classic—a tale that transcends time. .

Magical Realism in The Garden of Forking Paths Essay

Often referred to in essays that discuss the history and theory of Magical Realism , "The Garden of Forking Paths" is probably Borges ' most popular short story.Of course, being caught in what is seemingly an imaginary maze introduces a magical element into the story.Being caught in an imaginary maze serves the purpose of giving the reader a different perspective on real life.When explaining the meaning of the novel by Ts'ui Pen, Yu Tsun's grandfather, Stephen Albert states:. .

The Garden of Forking Paths Genre

After all, it has inspired a gazillion sci-fi and fantasy authors to write stories about parallel universes, an idea that does seem fairly magical. .

Magical Realism in The Garden of Forking Paths

Among his various types of works are poetry, essays, fantasies, and short fictions.Often referred to in essays that discuss the history and theory of Magical Realism , "The Garden of Forking Paths" is probably Borges ' most popular short story.Published in 1964 in a collection of Borges works entitled Labyrinths: Selected Stories & Other Writings, his short story "The Garden of Forking Paths" appears to have several of the elements of Magical Realism.At a glance, the main plot of "The Garden of Forking Paths" may seem fairly simple and very real.In this story the main character, Yu Tsun, is a German spy who knows the name of the British artillery park.Yu Tsun wants to tell his chief about this British artillery park so that the Germans can destroy it.However, Yu Tsun is afraid that Captain Richard Madden, who is on the British side, will shoot him before he is able to get the word out in time."Sources of Magic Realism/Supplements to Realism in Contemporary Latin American Literature.". .

The Garden of Forking Paths

In his Garden of Forking Paths collection, Jorge Luis Borges imposes his own universe on us.He seldom strays from his characteristic first person narration, and though his identity may change, his purpose never wavers.We only abide long sections of text such as those in this book in dialog by ourselves and our close friends and teachers.The liberal use of authentic-sounding dates, names, publications, and quotes leads us to suspect that these are real, albeit obscure events and people.Coupled with contemporary, as well as ancient, names, dates, and publications it becomes a real labor to separate fact from fiction, especially because many of the events listed, such as his personal experience of finding four additional pages in his friend’s copy of Volume XLVI of the Anglo-American Cyclopaedia, are impossible to verify.On many occasions he adopts the style of a book critic, pouring out both praise and diatribes on nonexistent works of fiction. .


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